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    Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'

    Citation

    Clare, D. (2018). 'Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune.' New Hibernia Review 22(1), pp.102-119. Center for Irish Studies at the University of St. Thomas. DOI: 10.1353/nhr.2018.0007
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    Date
    2018
    Author
    Clare, David
    Peer Reviewed
    Yes
    Metadata
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    Clare, D. (2018). 'Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune.' New Hibernia Review 22(1), pp.102-119. Center for Irish Studies at the University of St. Thomas. DOI: 10.1353/nhr.2018.0007
    Keywords
    Anglo-Irish
    Distortion
    Double exposure
    Francis Bacon
    Bacon
    Portraits
    Samuel Beckett
    Beckett
    The Old Tune
    Publisher
    Center for Irish Studies (University of St. Thomas)
    License URI
    https://muse.jhu.edu/article/699174/pdf
    DOI
    10.1353/nhr.2018.0007
    URI
    http://hdl.handle.net/10395/2261
    Collections
    • Drama and Theatre Studies (Peer-reviewed publications)

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