Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'

dc.contributor.creator	Clare, David
dc.date.accessioned	2018-10-15T10:32:04Z
dc.date.available	2018-10-15T10:32:04Z
dc.date.issued	2018
dc.description	Anglo-Irish “distortion”: double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'	en_US
dc.description.version	Yes	en_US
dc.identifier.citation	Clare, D. (2018). 'Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune.' New Hibernia Review 22(1), pp.102-119. Center for Irish Studies at the University of St. Thomas. DOI: 10.1353/nhr.2018.0007	en_US
dc.identifier.doi	10.1353/nhr.2018.0007
dc.identifier.uri	http://hdl.handle.net/10395/2261
dc.publisher	Center for Irish Studies (University of St. Thomas)	en_US
dc.relation.ispartofseries	22;1
dc.rights.uri	https://muse.jhu.edu/article/699174/pdf	en_US
dc.subject	Anglo-Irish	en_US
dc.subject	Distortion	en_US
dc.subject	Double exposure	en_US
dc.subject	Francis Bacon	en_US
dc.subject	Bacon	en_US
dc.subject	Portraits	en_US
dc.subject	Samuel Beckett	en_US
dc.subject	Beckett	en_US
dc.subject	The Old Tune	en_US
dc.title	Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'	en_US
dc.type	Article	en_US
dc.type.supercollection	all_mic_research	en_US
dc.type.supercollection	mic_published_reviewed	en_US

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