Why did George Farquhar’s work turn sectarian after "The Constant Couple"? (Pre-published Version)

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dc.contributor.creatorClare, David
dc.date.accessioned2018-10-15T11:02:14Z
dc.date.available2018-10-15T11:02:14Z
dc.date.issued2014
dc.descriptionWhy did George Farquhar’s work turn sectarian after "The Constant Couple"?en_US
dc.description.versionYesen_US
dc.identifier.citationClare, D. (2014) 'Why Did George Farquhar's Work Turn Sectarian After "The Constant Couple"?'. Studies; An Irish Quarterly Review 103(410), pp. 159-168. Irish Province of the Society of Jesus. ISSN: 00393495en_US
dc.identifier.issn00393495
dc.identifier.urihttp://hdl.handle.net/10395/2263
dc.language.isoengen_US
dc.publisherIrish Province of the Society of Jesusen_US
dc.relation.ispartofseries103;410
dc.rights.urihttps://www.jstor.org/stable/24347819en_US
dc.subjectIrish dramaen_US
dc.subjectIrish literatureen_US
dc.subjectProtestantismen_US
dc.subjectSectarianismen_US
dc.subjectTheateren_US
dc.subjectIrish poetryen_US
dc.subjectPlaywritingen_US
dc.subjectTheater criticismen_US
dc.subjectProloguesen_US
dc.subjectLiterary criticismen_US
dc.titleWhy did George Farquhar’s work turn sectarian after "The Constant Couple"? (Pre-published Version)en_US
dc.typeArticleen_US
dc.type.supercollectionall_mic_researchen_US
dc.type.supercollectionmic_published_revieweden_US

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